Liliana Belfiore

  
 C.V. Liliana Belfiore

b)  i.  Management Control and Artistic Director positions held in Argentina in
Official Ballet Companies

Ballet Estable del Teatro Colón

•     Position:  Associate Artistic Director-Staging Master-Choreographer
• Period: 1982-1983
• 
  
• “Sleeping Beauty” (Prologue and tree acts) 1982 Music: P.I. Tchaikovsky
• Choreography Liliana Belfiore
• 
  
• Choreographies of one act done for Teatro Colón in others periods
• 
  
• “The swan of Tounela” (Pas de deux)   Music.: J. Sibelius 1978
• 
  
• “Gli Vespri Siciliani” ( The four  Music:   G. Verdi 1983
• 
  
• “La Bayadera” (Act of the shadows) Music.  L. Minkus 2008
• On occasion of the Commemoration of the Centennial of the founding of the Teatro Colón,to prepare  the dancers in classes version of the “Act of Shadows” from “la Bayadera”.

Ballet Oficial de la Provincia de Córdoba

•                                 Position:  Artistic Director- Choreographer – Teacher
• Period: 1992-1993
• 
  
• Full length classical ballets choreographed done by Liliana Belfiore:
• 
  
• “Don Quixote” (3 acts) Music: M. Minkus  
• 
  
•  “Swan Lake” (4 acts) Music: P.I. Tchaikovsky
• 
  
• Other choreographed  productions
•                                                                     
• “Blood Wedding” Music: Albéniz, Falla, Lola Flores sings popular songs.
• Based on the work of the poet Federico Garcia Lorca .
• It’s a work premiered with great success at the gala that commemorated the five hundred years of the discovery of America by Christopher Columbus.
• The dances where composed in mixed techniques,  Liliana Belfiore, did the choreography and also danced Death, the character who ends the ballet in the poetic and strong way that Lorca needs.
• 
  
• “Carmen” (three acts)
• Choreography, L. Belfiore. Music: G. Bizet / E. Avellaneda .  Lighting deseign,: Enrique BordolinI
• Follows the plot line of Bizet's opera and choreographs this neoclassical ballet  in Spanish stile.
• 
  
• Ballet Oficial  de  la  Provincia de Tucumán
•                                          Position: Artistic Director- Choreographer – Teacher
• Period: 1993-1995
• 
  
• Liliana Belfiore choreographs and produces:
• 
  
• “Heaven and Hell” Contemporary ballet Music: Vangelis
• Inspired by the Old Testament, it was first presented free of charge outdoors in the city's main square.
• It was later presented in an expanded two-act version at the Teatro Libertador San Martín in Tucumán.
• 
  
• “Carmen” (two acts) neoclassical ballet Music: G. Bizet / E. Avellaneda
• 
  
• Follows the plot line of Bizet's opera Liliana Belfiore choreographs this work in neoclassical technique
• 
  
• Subsequent Invitations to Liliana Belfiore as Artistic Director and Choreographer
• 
  
•  Period: 2003
  
• "Cinderella” (tree acts) Music: Sergei Prokofiev
• 
  
• Period: 2005 
•  “Coppelia” (three acts) Music: Delibes
• 
  
• Ballet Clásico de la Provincia de Salta”:
•                                        Position: Artistic Director- Choreographer – Teacher
• Period: 2012-2014           
• 
  
•  “Sleeping Beauty” (Prologue and tree acts)
•  Choreography: Liliana Belfiore Music: P.I. Tchaikovsky
• A new versión in three acts.
• 
  
• "Consagración, Vazlav,  Genio y Locura´" (three acts)
• music Igor Sravinsky, Berlioz, Debussy, and others.
• Work released in honour of the anniversary of the premiere of the revolutionary
• "Rite of Spring" by Vazlav Nijinsky, which includes works that Vaslav immortalized, in his Choreography combines different dance techniques, 
• 
  
•  “La Fosforerita” (version in two acts)  P.I. Tchaicovsky sobre el cuento de Andersen 
• 
  
•  Choreographic works of one act: 
• 
  
• ”Aromas, a mi tierra” music Carlos Guastavino,
• 
  
• “Hungarian Dances” music: Brahms,
• 
  
•  " Firuletes” music: M. Mores
• 
  

b) ii. Liliana Belfiore , Prima Ballerina and Artistic Director  :
        Private ballet companies

• “Danza Difusión”
• 
  
• “Ballet de Liliana Belfiore”-
• 
  
• “Ballet Concierto”
• 
  
• "Cuentos de Ballet".

 In those companies them staged

 “Nutcracker” (2 acts), “Giselle” (2 acts) “La Fille Mal de Garde”, (2 acts)
and numerous ballets de one act.

  Synthesis of Liliana Belfiore's performance as a  Principal Dancer

Liliana has born in Buenos Aires, Argentina and  when she danced classical ballet was considered the most distinguished "Ballerina" of her country.

She has performed as Prima Ballerina for the companies of the Teatro Colón and the London Festival Ballet
in which she was in charge of the main roles of Giselle, Sherezade and Espectro De La Rosa, accompanying as co-star the mythical Rudolf Nureyev.
She also participated in the American film Nijinsky.
Belfiore and has been invited on by companiess Vienna Opera, the National Ballet of Cuba, the Bordeaux Opera Ballet and the Ballet de la Opera of Venezuela among others, dancing with them in the main theaters of Europe, Asia, Australia. South America and Central America.

Among her partners, Peter Breuer, Peter Schaufus, Cirile Atanasoff, Patrice Bart, Alan Dubreil, Nicolas Jhonson, Wladimir Harapes and Rudolph Nureyev stand out

.Among the choreographers who have entrusted her creations to her are: George Skibine, Glen Tetley, Ronald Hynd, Oscar Araiz, Alicia Alonso and the already legendary: George Balanchine, Alicia Markova, Leonide Massine and Anton Dolin.

Opportunely, together with Lyn Seymur and Natalia Makarova, she was distinguished as one of the three best dancers in the world for two consecutive years,
by the magazine “Dance and Dancers”

An the Colon Theater, she shared the stage with important starssuch Margot Fonteyn and Maia Plitzeskaia in her performance of Swan Lake as Odette with Liliana dancing the role of Odile with Valery Koptum. This production of ¨Swan Lake¨ by the Ballet Company of Liliana Belfiore in the Luna Park Stadium in Buenos Aires.

 
the selection of dancers in her country in the formal Opera Houses sosterin by provincail states is by competitions. in fron a cualifan jury .

At fifteen, Liliana won the competition to join the ranks of the corps of Ballet Teatro Argentino of La Plata., Also by competition she won the position Corifea.

Liliana was selected by choreographer Oscar Araiz , to be part of his new Contemporary Ballet in the Teatro San Martin of Buenos Aires.

Liliana graduated from the Instituto Superior de Arte del Teatro Colón in Buenos Aires.
Her teachers in the formation period where, Estela Deporte, Bohuslava Kazda, Michel Borovsky and María Ruanova.

At nineteen, she joined the ballet company of the Colon Theater. Also by competition, in three years, Liliana went from corps de ballet to soloist and then to principal dancer.

She was at the Teatro Colón for only fifteen days when George Skibine selcted Liliana to dance the part of Lycean in ¨Daphne and Chloe¨and the principla psrt in ¨Firebird¨. Nearly from her first days at the Colon Theater, Liliana performand the principal roles of their repertoire. ans perfomed the leading roles in ¨Giselle¨, ¨Firebird¨ ,¨Cinderella¨, Odette. / Odile.


At the age of 21, she created her first choreography for Teatro Argentino de La Plata Cinderella a ballet in three acts.



In 1988 and 1989 she performed as a dancer, choreographer and teacher with the “Israeli Classical Ballet”, and the “Jerusalem Ballet Theatre”.]

She also participated in the Argentine-Puerto Rican co-production of the film Esto es Tango.

Teaching activity and distinctions

From 1994 to the present, he carries out his pedagogical work at his ballet school, led and directed the program Con el Arte en el Alma, which is distinguished by the Honorable,2 and by the Secretaries of Culture of the Nation and the Government of the Buenos aires city.